thought_scores

by monochore

References



ALLFORDJ (2019) Underground Romantic Engineering. Available at: https://www.youtube.com/watch?v=KfsQRMVY13s (Accessed: 13 August 2024).

Amon Tobin (2022) Amon Tobin live pulsar 23, YouTube. Available at: https://www.youtube.com/watch?v=OOuA7LPRu04 (Accessed: 20 August 2024).

Bailey, D. (1993). Improvisation: Its Nature and Practice in Music. Da Capo Press.

Bates, E. (2012). Digital Tradition: Arrangement and Labor in Istanbul’s Recording Studio Culture. Oxford University Press.

Butler, D. (2014). ‘Way Out – Of This World!’ Delia Derbyshire, Doctor Who and the British Public’s Awareness of Electronic Music in the 1960s. Critical Studies in Television, 9(1), pp. 62-74. Manchester University Press. Available at: http://dx.doi.org/10.7227/CST.9.1.5

Charli XCX (2024) BratSpotify. Available at: https://open.spotify.com/album/2lIZef4lzdvZkiiCzvPKj7 (Accessed: 20 August 2024).

Conatus Modulari (2024) Build a Groove with the Soma Pulsar 23 DiodeYouTube. Available at: https://www.youtube.com/watch?v=X_6LaiVgrg4&t=182s (Accessed: 20 August 2024).
Crain, C. (2013) The Artistic AnimalSteamboats Are Ruining Everything. Available at: https://steamthing.com/artistic1 (Accessed: 22 August 2024).

Davies, S. (2006). John Cage’s 4′33′′: Is it music? Australasian Journal of Philosophy. Available at: http://dx.doi.org/10.1080/00048409712348031

Deleuze, G. & Guattari, F. (1987). A Thousand Plateaus: Capitalism and Schizophrenia. University of Minnesota Press.

Description / Flux (2024) SOMA LABORATORY. Available at: https://somasynths.com/flux/ (Accessed: 20 August 2024).

Gann, K. (2022) From no such thing as silence: John Cage’s 4’33″ – new music USA, New Music USA – Supporting the sounds of tomorrow. Available at: https://newmusicusa.org/nmbx/from-no-such-thing-as-silence-john-cages-433/ (Accessed: 15 August 2024).

Hutton, J. (2003). Daphne Oram: Innovator, writer and composer. Organised Sound, 8(1), 49-56. Available at: https://doi.org/10.1017/S1355771803001055

Inglis, C. (2022). Hyperpop: A Post-Ironic Glimpse into the Future. Journal of Global Pop Cultures. Available at: https://journalofglobalpopcultures.com/issues/real-fake-fake- realness/hyperpop-a-post-ironic-glimpse-into-the-future
Kreimer, V. (2020). Redefining Conscience in an Era of Rapid Change. SOMA Synths. Available at: https://somasynths.com/the-book/

Latour, B. (2005). Reassembling the Social: An Introduction to Actor- Network-Theory. Oxford University Press.

Moore, J.P. (2024) The Radio Phonics Laboratory. Turnaround Publisher Services.

Morrow, C. (2013) Realtime 113RealTime Arts – Magazine – issue 113 – are we innately art-making creatures? Available at: https://www.realtimearts.net/article/113/10951 (Accessed: 22 August 2024).

Potter, J. (2023, August 18). The influence of Aphex Twin in the words of those he inspired. Far Out Magazine. Available at: https://faroutmagazine.co.uk/influence-aphex-twin-words-of-admirers/

Piekut, B. (2014). Actor-Networks in Music History: Clarifications and Critiques. Twentieth-Century Music, 11(2), 191-215.

Pulsar23 (Live Play Recording), by Amon Tobin (2022) Amon Tobin. Available at: https://amontobin.bandcamp.com/track/pulsar23-live-play-recording (Accessed: 20 August 2024).
Roquet, P. (2009). Ambient Landscapes from Brian Eno to Tetsu Inoue. Available at: https://doi.org/10.1111/j.1533-1598.2009.01208.x

Seago, A. (2004). The ‘Kraftwerk-Effekt’: Transatlantic circulation, global networks and contemporary pop music. Atlantic Studies, 1(1), 85-106. Taylor & Francis. DOI: 10.1080/1478881042000217214

Shklovsky, V. (1917). Art as Technique. In L. T. Lemon & M. J. Reis (Eds.), Russian Formalist Criticism: Four Essays(pp. 3-24). University of Nebraska Press.

Smalley, J. (2000). Gesang der Jünglinge: History and Analysis.

Philosophical Ideas and Artistic Pursuits in the Traditions of Asia and the West: An NEH Faculty Humanities Workshop. College of DuPage.

SOMA Labs. (2024). Documentation and manuals for PULSAR-23 and LYRA- 8.

Tape Notes Podcast (2024) George Daniel & AG Cook Unpack Logic Session for Charli XCX’s ‘Club Classics’ from New Album ‘BRAT’YouTube. Available at: https://www.youtube.com/watch?v=WQm0McuIA84 (Accessed: 20 August 2024).

Wilkinson, C. (2008). Reflections on John Cage’s Music of Changes. College of DuPage. Available at: https://dc.cod.edu/cgi/viewcontent.cgi?article=1004&context=nehscholarship
Worby, R. (2017) Stockhausen: The father of electronic music, Welcome to the Barbican. Available at: https://www.barbican.org.uk/s/stockhausen/#:~:text=Kontakte%2C%20co mposed%20in%201960%2C%20is,percussion%20and%204%20channel%2 0tape.&text=In%20the%20studio%20Stockhausen%20built,a%204%20trac k%20tape%20recorder (Accessed: 15 August 2024).


6.1. Bibliography

Conatus Modulari (2019) YouTube. Available at: https://www.youtube.com/@ConatusModulari

Krogh, M. (2018). A Beat is a Hybrid: Mediation, ANT and Music as Material Practice. Contemporary Music Review, 37(5-6), 529-553.

Loopop (2016) YouTube. Available at: https://www.youtube.com/@loopop

Porcello, T. (2004). Speaking of Sound: Language and the Professionalization of Sound-Recording Engineers. Social Studies of Science, 34(5), 733-758.

Prior, N. (2008). Putting a Glitch in the Field: Bourdieu, Actor Network Theory and Contemporary Music. Cultural Sociology, 2(3), 301-319.

Roda, A. (2014). Tabla Tuning on the Workshop Stage: Toward a Materialist Musical Ethnography. Ethnomusicology, 58(3), 426-457.
Soma Laboratory (2011) YouTube. Available at: https://www.youtube.com/@somasynths (Accessed: 20 August 2024).

Sonicstate (2006) YouTube. Available at: https://www.youtube.com/@sonicstate (Accessed: 20 August 2024).